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November 16, 2004
And Broadway Wants to "Challenge" YouMatt Howell's annoyed by theater folk: These damned actors and directors and self-aggradizing self-labeled visionaries see it as their damned duty to confront their audience not entertain it. Certainly not entertain it. I think that the idea of "challenging" an audience has its usefulness. I think Matt is overstating things quite a bit when he says that they never want to entertain an audience, or when he suggests they should do only that. But it does seem to me that if these thespian subversives aim to challenge their audience, they're doing a spectacularly poor job of it. The typical politically-tilted play is leftist, and it's played for an audience consisting of 99% liberals and outright leftists. That's not challenging an audience-- that's reinforcing the beliefs of the audience, no different than a medieval morality play reinforces the passions and faith of the believers. Yes, there are occasional works that actually provoke the biases and beliefs of the typical theater crowd, like Mamet's Oleander. But that's the exception. It seems to me that such people are only interested in "challenging" an audience who isn't there at all. Theoretically, they could be challenging a conservative Christian audience, were they to show up en masse, which of course they rarely do. Not only aren't they doing what they claim they intend to do, but there's a certain amount of gutlessness here that belies their self-asserted status as brave provocatuers. It takes very little guts to tell an audience precisely what they already believe; indeed, one could call that pandering. And the typical audience shouldn't kid itself that it is viewing provocative or challenging fare; they shouldn't pat themselves on their backs for being open-minded enough to watch a play that leaves them with the message (apologies to Camus), "I was right, I had been right, I always was right." Is that a challenging message? Seems to me that's a pretty comforting one. I can't help but think that much of the appeal of the sort of theater Matt mentions isn't its actual provocativeness, but the presumed provocativeness of the works as regards hypothetical patrons who aren't in attendance at all. I think there's a certain feeling of "Gee whiz, if those damn Republicans were here, whooo doggies!, they sure would be feeling pretty angered and insulted right about now." It's not as if there are no interesting subjects that left-leaning writers can exploit to actually discomfit their left-leaning audiences. Lefties hate control and the lazy, arrogant power of an entrenched establishment; they hate restrictions on speech and thought. (As well they should.) Is there no benefit to exploring Marxist speech-codes and sex-codes and the like? Isn't that an inherently dramatic premise that actually could be used to challenge the unexamined biases of the acutal (rather than hypothezied) audience in attendance? And yet no one seems particularly interested in that. Instead, we get Christ-was-a-homo plays, Reagan-caused-AIDS plays, war-is-bad plays, men-suck plays, and Christian-conservatives-want-to-destroy-the-world-with-their-Millenialist-warmongering plays, over and over and over again. Hint: a play isn't truly "outrageous" or "controversial" if just about every single patron leaves the theater saying "Goodness Gracious, I guess I've been pretty much right about everything before, and now I have a catchy song in my head proving just that." Take some genuine risks, guys. Or else admit what you're doing is merely pandering to like-minded folks, and stop with the agent-of-social-change crap. PS: I don't think I said anything in this post that's likely to alienate any readers, or cause them psychological discomfort. So this post is hardly "provocative." I know that. But I'm not representing it as "controversial," either. And I'm not forever patting myself on the back for having the intellectual courage to speak truth to power. At most, I'm speaking truth to idiots. Which isn't necessarily dangerous, because, you know, what the hell can an idiot do about it? Drool on me? "Truth to Idiots" Update: Whoa, whoa, whoa, whoa. Everyone's misinterpreting who the "idiots" are supposed to be in that line. I don't mean you. I mean the idiots who aren't reading this site, i.e., liberals. Do you really think I'd call you idiots? Come on. I'm far too brave and provocative a blogger to say anything that could possibly alienate a single reader. I spend my time bravely challenging the people who don't read me at all. Although, let's be honest, you are all retards. But you know that already. posted by Ace at 12:52 PM
CommentsAce-- I agree, 100%. You're not challenging me enough. Cheers, Posted by: Dave at Garfield Ridge on November 16, 2004 01:04 PM
A verbose way of saying, "cut the crap and be more worldly". Posted by: Ron Deaton on November 16, 2004 01:07 PM
I didn't mean to challenge you. I meant to challenge all of the people who aren't reading me. They are "challenged" by my intellectual courage, although they're not aware of it, and never will be. If only they knew how badly I had just rocked their world! Posted by: ace on November 16, 2004 01:07 PM
Hell, any dead fish can swim downstream. Posted by: Joan of Argghh! on November 16, 2004 01:20 PM
Truth to idiots... Hahahahhaha... oh, wait a second.... HEY! Posted by: AndrewF on November 16, 2004 01:33 PM
"Lefties hate control and the lazy, arrogant power of an entrenched establishment; they hate restrictions on speech and thought." I beg to disagree. That is exactly what lefties adore. The New York Times, CNN, John Kerry and the Clintonistas represent the lazy, arrogant power of an entrenched establishment, and there isn't a leftard alive who doesn't love 'em. Nor do they hate restrictions on speech and thought; hence their almost-frantic and hysterical attempts to expunge all references to God from public life. Posted by: Sailor Kenshin on November 16, 2004 01:34 PM
Ace, when you said "idiots" ... you meant everyone else, and not me, right? But, for the most part ... this "construct" is true for just about everything. New York Times reader, read the Times, mostly because they agree with the editorial opinion. And, I couldn't get my mom to read "National Review" even if I promised she didn't have to attend my children's birthday parties for a year, While I think conservatives are more often faced with ideas that "challenge" their ideologies, it is just as easy for a conservative, as a liberal, to reside happily in their own dogma: avoid plays, NPR, and the mainstream media. Posted by: Carin on November 16, 2004 01:34 PM
Everyone, please see the update! I wasn't calling any of you "idiots," for Pete's sake! Posted by: Ace on November 16, 2004 01:38 PM
I heard the ever-condescending Maureen Dowd lamenting this very thing this morning on Imus. Posted by: EA on November 16, 2004 01:56 PM
Ace-- Wait, first you're challenging me, now you're calling me an idiot? Why sir, I demand satisfaction! Zell Miller had the right idea-- a duel to settle this, once and for all! May I suggest Thunderdome? Two men enter, one man leaves and all? Cheers, Posted by: Dave at Garfield Ridge on November 16, 2004 02:01 PM
I prefer the term "TARD", please, Ace. Now, everyone, all together, let's sing a rousing version of Black Eyed Peas "Let's get Retarded ..." Posted by: Carin on November 16, 2004 02:48 PM
Why! I am offended that Ace would call me an idiot!! I mean, I am but that's beside the point!!! I'M LEAVING!!!!111 Wait...can someone show me how to get out of here? I, like, can't find a door anywhere, you know? Oh...screw it, I guess I'll stay. But next time...next time!! Posted by: Elric on November 16, 2004 08:17 PM
I HAVE CRAYONS! I HAVE CRAAAAYONS!!!! YAY!! Posted by: Squatch on November 16, 2004 08:56 PM
I was approached by a group of my wife's artsy-fartsy near-homo friends in an effort to raise 200k for a demonstration of genital-mangling they called Talking Naughty Bits or Clever Stinky Parts or something. Anyway, they had little actually prepared for the proposal and the demonstration I would recommend as a diet aid, if not as therapy for the sex-addicted. Mostly they had applied their efforts, imagination and a fair bit of pain tolerance to the finale, which consisted of looping a steel dog leash through one player's foreskin and calling it "Dick Chain-ey". This they felt would be challenging enough to fill seats on the Lower East Side but they gave no assurance they would be able to return even one dollar of what they requested. I was to feel pleased they had approached me for such a monumental event in theatre history. I thought it might be amusing to assess their audience-raising ability by dropping them off in Bedford-Stuyvesant without the pants they seemed to have so little use for. I have yet to hear from my driver of the reaction of the locals, but will keep you window-lickers apprised. Posted by: spongeworthy on November 17, 2004 09:39 AM
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Oil prices plunge on bizarre realization that Eric Swalwell may actually be straight. A rapey molester, allegedly, but a straight one.
Classic Rock Mystery Click
This is super-obscure and I only barely remember it. Given that, I'll give you the hint that it's by the Red Rocker. And I guess you think you've got it made Oh, but then, you never were afraid Of anything that you've left behind Oh, but it's alright with me now 'Cause I'll get back up somehow And with a little luck, yes, I'm bound to win Now twenty people will tell me it's not obscure, it was huge in their hometown and played at their prom. That's how it usually goes. When I linked Donnie Iris's "Love is Like a Rock," everyone said they knew that one and that his other song (which I didn't know at all) Ah Leah! was huge in their area.
Ryan Long goes to the No Kings rally to pick up young liberal hotties and is greatly disappointed in the quality of the mish
thanks to stevey You know we "joke" about the GOPe just "conserving" leftist things? I couldn't hate this queen of the cuck-chair more if it paid seven figures and came with a corner office.
In more marketing for Project Hail Mary, scientists say they've found the biosigns indicating life growing on an alien planet. It's not proof, just signatures of chemicals that are produced by biological metabolism, and it could be nothing, but scientists think it's a strong sign that this planet is inhabited by something.
In a paper published in the Astrophysical Journal Letters, a team of scientists announced the detection of dimethyl sulfide (along with a similar detection of dimethyl disulfide) in the atmosphere of an exoplanet called K2-18b. This is actually the second detection of dimethyl sulfide made on this planet, following a tentative detection in 2023. He means they tried to prove the signal was caused by things other than dimethyl sulfide but they could not.
Artemis moon shot a go, scheduled for 6:24 Eastern time tonight
Great marketing arranged by Amazon to promote Project Hail Mary. Okay not really but it does work out that way.
What? Skeleton of the most famous Musketeer, D'Artagnan, possibly discovered in Dutch church closet.
Dumas picked four names of real musketeers out of a history book, D'Artagnan, Athos, Aramis, and Porthos. So there was an actual D'Artagnan, though he made most of the story up. (Or, you know, all of it.)* Charles de Batz de Castelmore, known as d'Artagnan, the famous musketeer of Kings Louis XIII and Louis XIV, spent his life in the service of the French crown. A lot of Dumas's stories are based on bits of real history. The plot of the >Three Musketeers, about trying to recover lost diamonds from the queen's necklace, was cribbed from the then-almost-contemporaneous Affair of the Queen's Necklace. And the Man in the Iron Mask is based on real accounts of a prisoner forced to wear a mask (though I think it was a velvet mask). * Oh, I should mention, Dumas says all this, about finding the names in an old book, in the prologue to his novel. But authors lie a lot. They frequently present fictions as based on historic fact. The twist is, he was actually telling the truth here. At least about these four musketeers having actually existed and served under Louis XIV. Fun fact: You know the beginning of A Fistful of Dollars where the local gunslingers make fun of Clint Eastwood's donkey and Eastwood demands they apologize to the donkey? That's lifted from The Three Musketeers. Rochefort mocks D'Artagnan's old, brokedown farm horse and D'Artagnan is incensed.
A commenter asked which should be read first, The Hobbit of LOTR?
Easy, no question -- read The Hobbit first. It's actually the start of the story and comes first chronologically. It sets up some major characters and major pieces in play in LOTR. Also, the Hobbit is Beginner-Friendly, which LOTR isn't. The Hobbit really is a delightful book, and a fast read. It's chatty, it's casual, it's exciting, and it's funny. In that dry cheeky British humor way. I love that the narrator is constantly making little asides and commentary, like he's just sitting next to you telling you this story as it occurs to him. LOTR is a very long story. Fifteen hundred pages or so. The Hobbit is relatively short and very punchy and easy to read. If you don't like The Hobbit, you can skip out on LOTR. If you do like it, you'll be primed to read LOTR. Oh, I should say: The Hobbit is written as if it's for children, but one of those smart children's stories that are also for adults. Don't worry, there's also real fighting and violence and horror in it, too. LOTR is written for adults. (It's said that Tolkien wrote both for his children, but LOTR was written 17 years later, when his children were adults.) Some might not like The Hobbit due to its sometimes frivolous tone. Me, I love it. I find it constantly amusing. Both are really good but there is a starkly different tone to both. LOTR is epic, grand, and serious, about a world war, The Hobbit is light and breezy, and about a heist. Though a heist that culminates in a war for the spoils.
The Hobbit Challenge: Read two more chapters. I didn't have much time. Bilbo got the ring.
I noticed a continuity problem. Maybe. Now, as of the time of The Hobbit, it was unknown that this magic ring was in fact a Ring of Power, and it was doubly unknown that it was the Ring of Power, the Master Ring that controlled the others. But the narrator -- who we will learn in LOTR was none of than Bilbo himself, who wrote the book as "There and Back Again" -- says this about Gollum's ring: "But who knows how Gollum had come by that present [the Ring], ages ago in the old days when such rings were still at large in the world? Perhaps even the Master who ruled them could not have said." In another passage, the ring is identified as a "ring of power." I don't know, I always thought there was a distinction between mere magic rings and the Rings of Power created by Sauron. But this suggests that Bilbo knew this was a ring of power created by Sauron. Now I don't remember when Bilbo wrote the Hobbit. In the movie, he shows Frodo the book in Rivendell, and I guess he wrote it after he left the Shire. I guess he might have added in the part about the ring being a ring of power created by "the Master" after Gandalf appraised him of his research into the ring. I never noticed this before. I know Tolkien re-wrote this chapter while he was writing LOTR to make the ring important from the start. And also to make Gollum more sinister and evil, and also to remove the part where Gollum actually offers Bilbo the ring as a "present" -- Bilbo had already found it on his own, but Gollum was wiling to give it away, which obviously is not something the rewritten Gollum would ever do. But I had no memory of the ring being suggested to be The Ring so early in the tale.
Finish the job, Mr. President!
Melanie Phillips lays out the case for the total destruction of the Iranian government and armed forces. [CBD] Recent Comments
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