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Oil prices plunge on bizarre realization that Eric Swalwell may actually be straight. A rapey molester, allegedly, but a straight one.
Classic Rock Mystery Click
This is super-obscure and I only barely remember it. Given that, I'll give you the hint that it's by the Red Rocker.
And I guess you think you've got it made
Oh, but then, you never were afraid
Of anything that you've left behind
Oh, but it's alright with me now
'Cause I'll get back up somehow
And with a little luck, yes, I'm bound to win

Now twenty people will tell me it's not obscure, it was huge in their hometown and played at their prom. That's how it usually goes. When I linked Donnie Iris's "Love is Like a Rock," everyone said they knew that one and that his other song (which I didn't know at all) Ah Leah! was huge in their area.
You know we "joke" about the GOPe just "conserving" leftist things?
David French just posted:

Populists ask what conservativism has ever conserved?
Well its about to conserve birthright citizenship!
Posted by: 18-1

I couldn't hate this queen of the cuck-chair more if it paid seven figures and came with a corner office.
CJN podcast 1400 copy.jpg
Podcast: CBD and Sefton talk birthright citizenship, the 14th Amendment and SCOTUS, no boots in Iran, Artemis II and refocusing NASA, the NBA's hatred of everything non-woke, and more!
In more marketing for Project Hail Mary, scientists say they've found the biosigns indicating life growing on an alien planet. It's not proof, just signatures of chemicals that are produced by biological metabolism, and it could be nothing, but scientists think it's a strong sign that this planet is inhabited by something.
In a paper published in the Astrophysical Journal Letters, a team of scientists announced the detection of dimethyl sulfide (along with a similar detection of dimethyl disulfide) in the atmosphere of an exoplanet called K2-18b. This is actually the second detection of dimethyl sulfide made on this planet, following a tentative detection in 2023.
Tons of chemicals are detected in the atmospheres of celestial objects every day. But dimethyl sulfide is different, because on Earth, it's only produced by living organisms.
"It is a shock to the system," Nikku Madhusudhan, first author on the paper, told the New York Times. "We spent an enormous amount of time just trying to get rid of the signal."

He means they tried to prove the signal was caused by things other than dimethyl sulfide but they could not.
Artemis moon shot a go, scheduled for 6:24 Eastern time tonight
Great marketing arranged by Amazon to promote Project Hail Mary. Okay not really but it does work out that way.
What? Skeleton of the most famous Musketeer, D'Artagnan, possibly discovered in Dutch church closet.
Dumas picked four names of real musketeers out of a history book, D'Artagnan, Athos, Aramis, and Porthos. So there was an actual D'Artagnan, though he made most of the story up. (Or, you know, all of it.)*
Charles de Batz de Castelmore, known as d'Artagnan, the famous musketeer of Kings Louis XIII and Louis XIV, spent his life in the service of the French crown.
The Gascon nobleman inspired Alexandre Dumas's hero in "The Three Musketeers" in the 19th century, a character now known worldwide thanks to the novel and numerous film adaptations.
D'Artagnan was killed during the siege of Maastricht in 1673, and there is a statue honoring the musketeer in the city. His final resting place has remained a mystery ever since.

A lot of Dumas's stories are based on bits of real history. The plot of the >Three Musketeers, about trying to recover lost diamonds from the queen's necklace, was cribbed from the then-almost-contemporaneous Affair of the Queen's Necklace. And the Man in the Iron Mask is based on real accounts of a prisoner forced to wear a mask (though I think it was a velvet mask).
* Oh, I should mention, Dumas says all this, about finding the names in an old book, in the prologue to his novel. But authors lie a lot. They frequently present fictions as based on historic fact. The twist is, he was actually telling the truth here. At least about these four musketeers having actually existed and served under Louis XIV.
Fun fact: You know the beginning of A Fistful of Dollars where the local gunslingers make fun of Clint Eastwood's donkey and Eastwood demands they apologize to the donkey? That's lifted from The Three Musketeers. Rochefort mocks D'Artagnan's old, brokedown farm horse and D'Artagnan is incensed.
A commenter asked which should be read first, The Hobbit of LOTR?
Easy, no question -- read The Hobbit first. It's actually the start of the story and comes first chronologically. It sets up some major characters and major pieces in play in LOTR.
Also, the Hobbit is Beginner-Friendly, which LOTR isn't. The Hobbit really is a delightful book, and a fast read. It's chatty, it's casual, it's exciting, and it's funny. In that dry cheeky British humor way. I love that the narrator is constantly making little asides and commentary, like he's just sitting next to you telling you this story as it occurs to him.
LOTR is a very long story. Fifteen hundred pages or so. The Hobbit is relatively short and very punchy and easy to read. If you don't like The Hobbit, you can skip out on LOTR. If you do like it, you'll be primed to read LOTR.
Oh, I should say: The Hobbit is written as if it's for children, but one of those smart children's stories that are also for adults. Don't worry, there's also real fighting and violence and horror in it, too.
LOTR is written for adults. (It's said that Tolkien wrote both for his children, but LOTR was written 17 years later, when his children were adults.) Some might not like The Hobbit due to its sometimes frivolous tone. Me, I love it. I find it constantly amusing. Both are really good but there is a starkly different tone to both. LOTR is epic, grand, and serious, about a world war, The Hobbit is light and breezy, and about a heist. Though a heist that culminates in a war for the spoils.
The Hobbit Challenge: Read two more chapters. I didn't have much time. Bilbo got the ring.
I noticed a continuity problem. Maybe. Now, as of the time of The Hobbit, it was unknown that this magic ring was in fact a Ring of Power, and it was doubly unknown that it was the Ring of Power, the Master Ring that controlled the others.
But the narrator -- who we will learn in LOTR was none of than Bilbo himself, who wrote the book as "There and Back Again" -- says this about Gollum's ring:
"But who knows how Gollum had come by that present [the Ring], ages ago in the old days when such rings were still at large in the world? Perhaps even the Master who ruled them could not have said."
In another passage, the ring is identified as a "ring of power."
I don't know, I always thought there was a distinction between mere magic rings and the Rings of Power created by Sauron. But this suggests that Bilbo knew this was a ring of power created by Sauron.
Now I don't remember when Bilbo wrote the Hobbit. In the movie, he shows Frodo the book in Rivendell, and I guess he wrote it after he left the Shire. I guess he might have added in the part about the ring being a ring of power created by "the Master" after Gandalf appraised him of his research into the ring.
I never noticed this before. I know Tolkien re-wrote this chapter while he was writing LOTR to make the ring important from the start. And also to make Gollum more sinister and evil, and also to remove the part where Gollum actually offers Bilbo the ring as a "present" -- Bilbo had already found it on his own, but Gollum was wiling to give it away, which obviously is not something the rewritten Gollum would ever do.
But I had no memory of the ring being suggested to be The Ring so early in the tale.
Finish the job, Mr. President!
Melanie Phillips lays out the case for the total destruction of the Iranian government and armed forces. [CBD]
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« No Slowdown for Ramp-Up: Businesses Plan Even More Hiring in Third Quarter | Main | What's the Deal With Drudge? »
June 15, 2004

Go Read Kaus

Kaus' postings today are all compulsively readable.

One thing I don't like about the amateur leftist newsletter Slate is the artificial and strained attitude they force into their pieces. Most magazines, even amateur leftist newsletters, strive for some sort of defining style; Slate has decided its defining pose is Revenge of the Dweeb. Its tone is smug and nasty and stinks of adolescent revenge fantasy, i.e., One day I'll have a cool job at a cool magazine and I'll get back at all those jocks and swells who called me "gaywad."

If Maureen Dowd's pose is the feathered-earring-wearing cool-chick-who's-also-clever shooting spitballs at the teacher's back, Slate's collective pose is the arrogant, despised nastygeek picking his nose and wiping it on your sandwich when you're not looking and then writing about this great triumph in his Dream Journal.


Now, Mickey Kaus sort of has that smug tone, too. But he actually manages what the nastygeeks never can, which is remaining charming while sticking in the dagger.

Kaus tears apart that idiotic New York Times puff-piece so relentlessly promoted by Drudge last week. He finds that there's absolutely nothing of value in the whole piece:

Does Even John Kerry Deserve Jodi Wilgoren? Jodi Wilgoren's Sunday front page NYT piece goes beneath the surface to uncover the

"many facets of Mr. Kerry's style and personality that [are] all but invisible to most voters in this era of stage-managed politics, where authentic insights into the people who would be president are precious few."

There's a self-puffing, expectations-raising billboard graf! And what does Wilgoren come up with after her "observations on the campaign trail over several months, combined with interviews with politicians and aides who spend time by his side"? Kerry polishes his speeches. He talks a lot on the phone. He went to an aide's wedding! Wow! That's journalistic gold. ...

P.P.S.: I forgot--Kerry also bowled an orange down the aisle of his campaign plane! Gee, no candidate's ever done that before. When a reporter resorts to describing the "orange bowling" ritual that's been going on since at least the Hart campaign of 1984, it's a sure sign of desperation. .

...For that matter, Wilgoren doesn't tell us any of the "multisyllabic uppercrust" phrasings she says Kerry uses, or any of the "pop culture" he's "up on," or any of the "unfamiliar words" a campaign intern had to look up (as his "main responsibility"--another "authentic" detail that reeks of B.S.). Doesn't the NYT have an editor with the power to write "Example, pls"?]

What Tim Noah and the rest of the nonentities at Slate don't realize is that sarcasm has its time and place; not every fucking sentence you write either should or can drip with sarcasm. They attempt to disguise the fact that they have nothing interesting to say by writing in an "edgy," "highly-attitudinal" style.

It's like listening to Richard Belzer deliver a eulogy to Reagan. "Yeah, right. Reagan. Star Wars. Right. Yeah. Ronny Ray-Gun. Right. Ketchup is a vegatable. Yeah, right. Oswald shot Kennedy. Yeah, right."

There's a time and place for sarcasm, and Kaus, unlike the rest of the useless crew at Slate, seem to understand that restriction.

Anyway, back to the article Kaus disses. I love that she fills the piece with so many general claims, and yet doesn't provide the specific, tangible examples that would make her generalities come alive. Specifics are the lifeblood of reporting, but apparently this reporter didn't get that memo. As Kevin Pollack might say, she was absent the day they taught journalism at j-school.

Oh wait-- she did nail down one specific. There is that hi-larious orange-bowling incident.

Great takedown. The NYT is, of course, the greatest newspaper in the history of the world.

Now, if only Kaus could cure his bad case of the slammies, and knock it off with that "isn't this cute?" back-and-forth repartee with his editor... [But don't you find that the editorial banter is part of his defining style? -- ed. No, I don't. I think it's a distraction. And, by the way, who the fuck are you? I don't have an editor. Oh, right, sorry.-- ed.]

posted by Ace at 03:03 AM