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December 01, 2006
Apocalypto: Aptly Named?It's a bit strange to see commercials with Mel Gibson explaining what the hell his movie is about for two reasons. One, it's just something that isn't done very much generally, two, you'd figure that, given Gibson's alcoholic tirade, they'd want to soft-sell his involvement with the project. But having seen numerous trailers -- without Gibson's explanation -- in the theater, I had no idea what the movie was supposed to be about. I guess the studios felt similarly-- they were showing a lot of quick-cutting, dramatic images in the jungle, panthers and painted warriors, but nowhere in the trailer was there any indication of what the plot was. Unless the plot was actually nothing but running through the jungle and being eaten by panthers. Enter Gibson, explaining, vaguely, it's a movie about one man's courage in trying to save his family. Presumably from panthers.
With the subtlety of several thousand flying mallets and arrows, here comes Mel Gibson's "Apocalypto," a two-hour plus torture-fest so violent that women and children will be headed to the doors faster than you can say "duck" when the film opens on Dec. 8. Just for the record, I don't find that so preposterous. I'm pretty sure that most languages have expressions that can be translated, more or less, to just that, if in spirit if not actual word-for-word translation. ... I don't know if the violence per se would bother me, but if there's not any clear point to it, it's just people being killed. He's an odd cat. One could see the reason for taking such risks for The Passion -- not only was the movie important to him personally, but, to be crass, there always was a big possible financial upside to it. Sure, he might have lost a lot of money, but he also stood to make a lot of money. Which is of course what happened. But where's the built-in audience for an ultraviolent Mayan Braveheart minus the whole "freedom" plot? I don't question his love of cinematic gore -- a lot of people have been known for making gory movies, like Sam Peckinpah -- but what drives him to take such a risk to produce a film with no discrenable base demographic? The art house crowd will stay away because it's violent and because it's Gibson; the action movie/horror demographic (e.g., me) will stay away because it's all subtitled and doesn't seem to have a point. Goofy. I think we're looking at a box-office trainwreck here. Here's a glowing review from Peter Travers of Rolling Stone, but it seems that Travers is big on Gibson's political messaging: Here's a thought: instead of rehashing Mel Gibson's Jew-bashing rants when L.A. cops got him on a DUI in July, let's stick to his movie. Apocalypto brings out what's unique and gripping in Gibson as a director. It's pure adrenaline -- a tremendously exciting chase movie, shot in Mexico, that just happens to be set in ancient Maya with dialogue spoken in Yucatec Maya, with English subtitles. Heck, you lived through Latin and Aramaic in Gibson's Passion of the Christ, so don't be a wussy. Actually, you'd better not be gore-shy, because Apocalypto is one brutal and bloody ride. Gibson's not really a conservative, of course. Or at least not a conservative by normal definition. Certainly he's a major isolationist, and frequently makes noises about old men sending young men to die in meaningless wars. So I'm not sure how much Travers enjoyed the actual movie and how much he enjoyed considering that Gibson's Passion-inspired fanbase would be instructed by this movie in no uncertain terms that War is Bad. Either way: Just not that big on jaguars. Or subtitles. I can't imagine many people are. | Recent Comments
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