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Not placed restrictions on them. Not added fees. Booted them entirely.
"We believe in the strength and talent of the American workforce," a Microsoft spokesperson said in an email to TechCrunch, "they just can't work here."
I might have changed that just a little to say what they clearly mean.
So, I tested out my newly-built synthesizer on the can-can (the Galop infernal from Offenbach's Orphée aux enfers) and it sounds like dog poo. Or more precisely, it sounds like two or three SID chips from the Commodore 64 wired together to provide wider polyphony.
I've grabbed a few hundred megabytes of public samples of orchestral instruments to tune the wave forms and envelopes, because deriving them from scientific papers worked about as well as a blind man painting a sunset.
Update: Improvement. Now it sounds like an early Yamaha synthesizer that had something crawl into its power supply and die there. Rendering it to WAV files instrument by instrument to find the offending insect.
Update Too: Got it. My insect in the power supply analogy was apt; the buzz was an artifact of 15 wavetable voices' ADSR envelopes being updated simultaneously in sync with the video frame - a 60Hz buzz overlaid on the music and inaudible for a single instrument. Interpolating the envelope steps now, which should push it significantly down in volume and up in frequency.