Disney's Snow Woke Expected to Tank at Box Office as Projections Keep Falling

As we suspected: Only about 20% of the country favors this constant woke propaganda. Unfortunately, it turns out that it's the woke propaganda enthusiasts who control all the media.

But the public has had it up to their eye teeth in woke and won't be having it any longer.

Snow White has more than just poisonous apples to worry about, judging from the upcoming movie's revised box office forecast. The live-action re-imagining of Disney's animated classic is already facing an uphill battle thanks to all the controversy swirling about the Gal Gadot and Rachel Zegler-led film. However, now the most recent projections indicate that Snow White could make far less than the $63 million to $70 million originally predicted back in early February.

Well, according to a new report published by The Hollywood Reporter, Snow White is now eyeing a more modest neighborhood of $48 million to $58 million domestically. Originally, long-range forecasts published by Boxoffice Pro indicated director Marc Webb's take on the beloved character might make somewhere between $65 million to $85 million, and, even on the low end, that window was much more promising than the new numbers in the revised forecast.

Disney has its abrasive woke non-star Rachel Zegler on lockdown, almost certainly because they know she's a toxic person who will hurt the film's prospects even further if she's allowed to publicly run her giant yap.

With just days to go before the release of its live-action Snow White remake, Disney is drastically reducing its usual Hollywood premiere spectacle. The studio is still hosting an event on March 15 at the El Capitan Theatre, but it won't include the extensive red carpet and media presence typically associated with a major Disney release. Instead, only photographers and a house crew will be allowed to cover the event, with no traditional press interviews taking place.

Disney has not commented on this shift, but even Variety acknowledges that this decision comes amid ongoing controversy surrounding the film. The move follows months of backlash and marketing missteps, making it clear that Disney is playing defense as the film nears its March 21 theatrical release.

In the past, Disney has gone all-out for live-action remakes, with elaborate red carpet events, numerous interviews, and a media blitz to build hype. The decision to scale back this aspect of Snow White signals a lack of confidence in the film's reception.

For context, even underperforming Disney films have received full red carpet treatment.

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This premiere downgrade aligns with Disney's broader approach to limiting Snow White's exposure. As we previously reported, lead actress Rachel Zegler has been noticeably absent from American press appearances. Instead, Disney sent her on a scripted, highly controlled press tour in Japan, where she was unlikely to face tough questions about her past comments or the film's creative direction.

This is a stark contrast to how Disney promotes its other high-profile films. Usually, the lead star is front and center in talk shows, interviews, and press junkets leading up to the release. The decision to keep Zegler largely away from the American media suggests the studio is trying to prevent further controversy.

Here are some of Fair Rachel's greatest hits:

She mocked the original film as being dated and creepy.

She said that is about Snow White being a leader.

The "Fairest of them all" doesn't mean beauty but who is most fair and just.

She posted "Free Palestine" while her co-star, Gal Gadot, is Israeli.

She said she should be paid if she has to wear a Disney princess dress for several hours a day.

She wished "No peace" to Trump supporters.

The media keeps trying to blame racism, but there are many other reasons fans are upset.

Gal Gadot seems to be firing back against the Li'l Terror Supporter Rachel.

Disney's Snow White has been a public relations nightmare from the start, but now, it seems the controversy has gone beyond bad trailers and box office projections. The two lead actresses, Gal Gadot and Rachel Zegler, appear to be on completely opposite sides of one of the most divisive global conflicts of our time--and it may be showing in more ways than one.

At an Anti-Defamation League (ADL) event this week, Gadot received the ADL International Leadership Award and delivered a passionate speech affirming her support for Israel and condemning what she sees as growing hostility toward the Jewish community. The speech comes just months after Zegler posted "#FreePalestine" while promoting the Snow White trailer, directly tying the Disney film to her stance on the Middle Eastern conflict.

While Gadot never directly mentioned Zegler, the timing, wording, and strong rebuke of those who "celebrate hostility" certainly feel like a pointed response.

And if that wasn't enough, the tension between the two actresses became even more obvious when they appeared together at the Academy Awards this week.

When the pair presented an award together at the Oscars, people noticed they stood as far apart as possible and did not make eye contact with each other.

They seemed ashamed to encounter each other in public, like when you run into your brother-in-law at a porno store. Or so I am told.

The movie opens March 21st. I hope it is the final nail in the coffin of woke propaganda.

BTW, a movie out right now, Mikey 17, is a derivative, messy, boring TDS Meth Nightmare.

Critical Drinker mentions The Sixth Day as also featuring a clone that's printed off before the person who's been cloned has died.

Not just that one. The very good movie Moon featured Sam Rockwell as a lunar base supervisor who is presumably killed while out farming Lithium-3 from the Moon's soil. His clone is activated, and then recovers the still-living body of the man he was cloned from. He didn't know that he was being cloned.

I'm sure it's much better than this piece of shit. Really good practical special effects of Lithium-mining rigs driving around the Moon's surface.

Update: More woes for Woke Hollywood.

Tangential:

Massive shakeup at the top of WB.

The two executives in charge of the studio under Zaslav are being replaced by the co-CEO of DCU (not Gunn, the other guy).

This is after WB has been spending ungodly amounts of money on original films that are failing (including Mickey 17). The newest thing is Maggie Gyllenhal's remake of The Bride of Frankenstein which cost $100 million and has apparently screened so poorly another executive is being charged with "fixing" it and has nowhere to go to make it better.

For all the shitting on Zaslav, he's been betting big on being different and giving resources to creatives to do what they want. He's just gotten all of the terrible creatives.

Posted by: TheJamesMadison, leading the proletariat with Eisenstein

Warner Bros. was known historically as a place that allowed you to make the film you wanted to make. Unless you were making a DC movie, in which case they first granted you that leeway and then completely took it back.

I mean, they let Todd Philips burn $200 million in cash to make a F-Off movie to fans of the first Joker movie.

I guess that is going to change.

posted by Ace at 05:12 PM

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