Peggy Noonan, Ben Stein On The Oscars

Noonan on Clooney:

Which gets us to George Clooney, and his work. George Clooney is Hollywood now. He is charming and beautiful and cool, but he is not Orson Welles. I know that's like saying of an artist that he's no Rembrandt, but bear with me because I have a point that I think is worth making.

Orson Welles was an artist. George Clooney is a fellow who read an article and now wants to tell us the truth, if we can handle it.

More important, Orson Welles had a canny respect for the audience while maintaining a difficult relationship with studio executives, whom he approached as if they were his intellectual and artistic inferiors. George Clooney has a canny respect for the Hollywood establishment, for its executives and agents, and treats his audience as if it were composed of his intellectual and artistic inferiors. (He is not alone in this. He is only this year's example.)

And because they are his inferiors, he must teach them. He must teach them about racial tolerance and speaking truth to power, etc. He must teach them to be brave. And so in his acceptance speech for best supporting actor the other night he instructed the audience about Hollywood's courage in making movies about AIDS, and recognizing the work of Hattie McDaniel with an Oscar.

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But Mr. Clooney's remarks were also part of the tinniness of the age, and of modern Hollywood. I don't think he was being disingenuous in suggesting he was himself somewhat heroic. He doesn't even know he's not heroic. He thinks making a movie in 2005 that said McCarthyism was bad is heroic.

How could he think this? Maybe part of the answer is in this: The Clooney generation in Hollywood is not writing and directing movies about life as if they've experienced it, with all its mysteries and complexity and variety. In an odd way they haven't experienced life; they've experienced media.

Ben Stein, meanwhile, wants to know if Hollywood has any gratitude left, apart from that which they shower on the people who vote them accolates:

I did not see every second of it, but my wife did, and she joins me in noting that there was not one word of tribute, not one breath, to our fighting men and women in Iraq and Afghanistan or to their families or their widows or orphans. There were pitifully dishonest calls for peace -- as if the people we are fighting were interested in any peace for us but the peace of the grave. But not one word for the hundreds of thousands who have served and are serving, not one prayer or moment of silence for the dead and maimed.

Basically, the sad truth is that Hollywood does not think of itself as part of America, and so, to Hollywood, the war to save freedom from Islamic terrorists is happening to someone else. It does not concern them except insofar as it offers occasion to mock or criticize George Bush. They live in dreamland and cannot be gracious enough to thank the men and women who pay with their lives for the stars' ability to live in dreamland. This is shameful.
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Hollywood is above all about self: self-congratulation, self-promotion, and above all, self-protection. This is human and basic, but let's not kid ourselves. There is no greatness there in the Kodak theater. The greatness is on patrol in Kirkuk. The greatness lies unable to sleep worrying about her man in Mosul. The greatness sleeps at Arlington National Cemetery and lies waiting for death in VA Hospitals. God help us that we have sunk so low as to confuse foolish and petty boasting with the real courage that keeps this nation and the many fools in it alive and flourishing on national TV.

Thanks to DDG for the first and Michael for the second.

posted by Ace at 12:47 PM

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